Monday,29

Any Port In A Storm


Recorded Live at The Old Rectory, Student Union Building, Southampton University, Southampton, England - January 22, 1973.

I recently downloaded this bootleg in an attempt to find some decent live recordings, and seeing as I'm the most sceptical bootleg listener ever I didn't have the highest of hopes but Any Port In A Storm is super fantastic. This is mainly because it was recorded by Jimmy as a possible official live release, so the audio quality is amazing and it has enough crowd noise to make you feel warmed by it. (That's might not make any sense to anyone but me.) There's plenty of Robert banter and the inclusion of Dancing Days makes this recording just that little bit special.

I'd highly recommend you download it from your preferred source. It's widely available, but please remember it's a bootleg, DO NOT pay for it! Bootlegs are not supposed to be for sale, they're supposed to be free to us nerds fans.

~Miss K
Saturday,27

Jonesy's Revelations - Part 1

I'll keep trying, even if you're not laughing...





Mr Woo
Thursday,25

The Adventures of Percy and Pagey - Part 1

Something silly that just came to me.














Sunday,14

Learning to play Led Zeppelin

There's a shop in Peterborough, imaginatively called Peterborough Music, that is a haven for musicians and wannabes alike.

After having drooled at the Burns Brian May Red Special for £649, the Jimmy Page cherry sunburst Gibson Les Paul for £369 and various acoustic bass guitars, I perused the music books for something slightly more affordable.

I found a book with around 10 Led Zeppelin songs to learn, accompanied with two CDs of instrumentals and guitar-less tracks but it was nearly £20.... so instead, for £15, I bought this:


It's a guitar 'songbook' of all Led Zeppelin's tracks from their first five albums, excluding those which weren't written by them. Missing are "I Can't Quit You Baby", "The Lemon Song", "You Shook Me" and "Bring It On Home".

The chords appear to be slightly simplified compared to tabs and chords submitted by people online for the same songs but I don't think it makes them sound too different.

There are no tabs apart from on "Stairway to Heaven", which is kind of understandable given the complexity of most of the songs and the apparent level of guitar ability the book is aimed at.

I would highly recommend it to anyone who wants to play along to the best of the first five albums, assuming it can be found somewhere - Amazon says it'll take 4-7 weeks to deliver!

Mr Woo
Tuesday,2

Talking between songs

I watched the first three hours of the Earl's Court video recently and I noticed how much Robert talks between songs - mostly to himself but occasionally to the band. It's much better than just leaping on stage, whacking out a full set before bowing out for the night. You'd feel much more of a part of an experience if the band actually appeared human during the gig, I think.

My favourite bit, not actually from that gig, is at the end of No Quarter recorded in Seattle in 1977. On this he says:

"Well I guess it's a funny thing to tell you that when you're deaf in one ear, but do you know what's happened? It's clear again! It's the strangest cure I've ever known."

There was also one point I think on the Earl's Court gig where Robert says something about "There's always the Eighties!" - if only he knew...

Mr Woo
Saturday,23

Podcast

Last night Miss K and I decided we should record some live commentary along to Led Zeppelin's back catalogue in order of release. However, it quickly descended into a semi-drunken podcast/commentary of The Song Remains The Same film on blu-ray.

Queue over two hours of guffaws, confusion, admiration, buggeration and wine-fuelled adoration of the greatest band there has ever been.

Miss K knows a lot more of the back story and behind the scenes stuff than I do, which is why I'm a bit quieter. We will probably end up doing more podcasts - one per album - and I'll be a lot more involved at that point.

So whether you listen to it along with the DVD or on its own, we hope you enjoy our waffling. Let us know what you'd like from future podcasts as this is a bit of an experiment.

I accidentally stopped the recording about 6 mins in so there are two files here:



Mr Woo


(Please don't sue us, Jimmy)
Wednesday,20

Darlene (I love you)

One of my favourite Zeppelin tracks is a lesser listened-to ditty called Darlene.

Originally recorded for In Through The Out Door, it was omitted, (along with Ozone Baby and Wearing And Tearing) due to time-restrictions and was only brought to the light of day when Coda was released in '82. It's a highly overlooked song due to it being on "the album that no one really listens to" but I urge you to give it another try for five good reasons.

1. Page. On this song, his riffs and solos are perfection. The riff has that catchy, bouncy quality that makes you want to dance, or at least nod your head in time depending on which is more your style. The two solos are smooth and reasonably lengthy, but not so long that they take away from the jive-quality of the number.
2. Jonesy. This is a wonderful stage for Jonesy's piano playing to take form. He goes from bluesy to almost-honky-tonk in a matter of seconds and can I just say two words? Piano solo. Not many songs can pull of a piano solo, but Darlene does.
3. Robert. For a song that's main lyric is simply "Oooh Darlene", Robert manages to make you feel like you're listening to some of the most important lines in history. He sings every "oooh" slightly differently to the next and manages to sound raspy and bluesy, yet smooth and rock n' roll at the same time. Plus, I love the nod to Don McLean's American Pie with the line "With a pink carnation and a pickup truck.".
4. Bonzo. Now, I didn't actually notice this until recently, but I tend to be drawn to songs that Bonzo had the most credit for. The Ocean being the most notable. He seems to like his riff-driven simple yet powerful songs and I think Darlene is a perfect example of that.
5. 2 in 1. Led Zeppelin seem to be very good at creating one song out of two. A lot of their songs start out in one style and then slowly flow into another and Darlene has an aspect of that.

So go give it another listen, please and see what you think.

~Miss K

Bring It On Home

I think Miss K posted this elsewhere recently but I thought I'd share it on our blog too. This, to me, epitomises what is so amazingly great about Led Zeppelin. Because they started in the 60s I think it gave them that blues base that later 70s bands just didn't have in the same way. Enjoy!



Mr Woo

Misheard Lyrics

I'm not a lyrics person but I know when I've misheard something.

The Rain Song has a line "I've felt the coldness of my winter" and yet the way Robert Plant sings it, it sounds like "A Phil Collins of my winter". Silly Percy.

I'm sure there are many others which will feature on here at some point...sorry!

Mr Woo
Tuesday,19

Zepbaby

I fail to remember a time before Led Zeppelin were in my life.

My mum, usually referred to as Moo, educated me in the ways of such music from a very young age; playing the likes of The Who, Jimi Hendrix, Cream and The Rolling Stones around me when I was a child. One of my earliest memories is of being terrified of a VHS Mum had of The Who. Especially of Roger Daltrey and his fringed jacket. How times change.

My earliest memory of Led Zeppelin is Robert. As a child brought up around music, I was always singing (and went on to be classically trained) so my gravitation towards a singer with a monumental voice was natural. I can remember singing along with him on Stairway to Heaven, although I'm sure I didn't know the words, when I was quite young, but it was never much of a big deal. Like Satisfaction by The Stones and Pinball Wizard by The Who, it was a song I loved the vocals to. (Later on I would try to persuade my elderly singing teacher to let me sing all three of these songs, but she never allowed it.)

I must have been about 14 when the Early Days: Best Of album was released. I can remember the adverts for it on the television and when I heard that little snippet of Stairway, my old childhood friend, the deal was done. I bought it and played it to death. It was probably the first time I'd ever bought an album by an "adult" band, and certainly the first time I'd listened to something all the way through without skipping. A lot of the tracks I had flashbacks of, songs I could sort of remember from my childhood, but not completely. Tracks like Good Times Bad Times and Dazed And Confused. I didn't know them well, but I could remember parts of them. It was like some sort of recovery from amnesia.

Of course when the album reached Whole Lotta Love I leapt up! "I know this one!" I can distinctly remember how utterly bizarre it was to hear that opening riff without the ghostly electronic whisper of "Top Of The Pops" creeping into it. Every child in Britain knew that song thanks to it being used for the opening titles of everyone's favourite music chart show and I had finally discovered the band that had written it.

My love affair with Zeppelin marched on until I was rifling through my parents' vinyl collection one day and came across a little band with an equally enigmatic singer. My fickle teenage heart ran away with Queen that day and rarely looked at anyone else until my early twenties, whilst sitting on a tour bus, hundreds of miles from home. One of the boys in the band I was with had put a warn out cassette album on the bus stereo and as the opening bars of Good Times Bad Times from Led Zeppelin I reached my ears I fell in love all over again.

~Miss K
Monday,18

BBC Sessions

Tonight I picked up the Led Zeppelin BBC Sessions double-CD. Disc one features tracks from four sessions recorded in 1969, with some notable omissions apparently, and the second disc is an entire set from a live radio  recording, introduced by John Peel.

This is the perfect addition to an already excellent set of albums. I loved the Queen BBC sessions, despite their low-quality, bootleg feel, being as they are not official releases. It's funny how Led Zeppelin let so little of their work to be used and yet they clearly allowed the BBC to release this album. As far as I understand it, Queen have been in a constant clash with the BBC over releasing the sessions.

The first disc contains the only known recording of "The Girl I Love She Got Long Black Wavy Hair", which apparently hasn't even been booted at any gigs.

So far, and I've not listened to all of it yet, the highlight is the 18 minute live version of Dazed and Confused.

Mr Woo
Sunday,17

Newbie

My background as a lover of music comes with a lot of excess baggage. My philosophy is simple and is what I've stuck to for many years: if it sounds good and I like it, it doesn't matter who the artist is. I only ever draw the line at country and western and improvised jazz.

My top five artists/bands before I got into Led Zeppelin were, in reverse order:

The White Stripes // Genesis // Pink Floyd // David Bowie // Queen

Now it's pretty much the same but the top band has been usurped by the gods of rock. The list in its current form:

Genesis // Queen // David Bowie // Pink Floyd // Led Zeppelin

To me, Led Zeppelin musically represents everything I love about every other band in my list. They incorporate every part of rock, blues and prog rock that I crave, all wrapped up into a sublime and unrivalled four-piece.

I still love Queen, still believe Freddie Mercury's voice is possibly the best ever in rock and pop, but for so long it felt as though nothing could possibly better than them. I've been proven wrong with Led Zeppelin.

It's still all new to me, I'll admit, but I can't honestly say I've taken to or enjoyed such a large proportion of a back catalogue of a band so quickly.

I can't get enough of them at the moment!

Mr Woo